Another devotee of the decade was the late Stephen Sprouse, who created 1960s-inspired clothing for Debbie Harry in the 1970s. As creative director of Dior Homme from 2000 to 2007, he introduced his famously skinny, neo-1960s silhouette and also designed stage wear for band The Libertines. It has long inspired Hedi Slimane, creative director of fashion house Céline. The timeless modernist clothing of the 1960s continues to fascinate fashion buffsĪs evidenced by these two exhibitions, the relatively timeless modernist clothing of the 1960s, which appealed to the decade’s Mods, peaking in 1966 before the advent of the more ornate style of psychedelia, continues to fascinate fashion buffs.
1960S SPACE AGE FASHION FREE
She was inspired by Crist ó bal Balenciaga’s sack dresses and 1920s drop-waisted frocks.»Īnother influence on Quant was Chanel, who helped to free women from corsets, and Quant’s daisy logo looked like a Pop variant on Chanel’s signature white camellia. Her clothes were the antithesis of the wasp-waisted Christian Dior look.
She also used jersey, which absorbed black and bright colours well, so they looked solid. Around 1960, she began borrowing utilitarian materials from menswear – tweed, flannel, pinstripe suiting. «It was about functionalism and rejecting anything fussy. «Modernism was at the heart of Quant’s clothing,» Jenny Lister, curator of the V&A show, tells BBC Designed.
1960S SPACE AGE FASHION PLUS
Then there is the upcoming Quant retrospective at London’s Victoria & Albert Museum, which is showcasing her designs for the Bazaar boutique, plus sketches, catwalk footage and cosmetics, the packaging was stamped with her iconic, stylised black-and-white daisy motif. – The women behind the legendary Christian Dior – Seven of Karl Lagerfeld’s most iconic moments «The old social order and British Empire were crumbling. Whether you are looking for a vintage cocktail dress or a chest of drawers to keep it in, as you will see on 1stDibs, Pierre Cardin offers an option in either that is timelessly chic.«This group emerged from the war as very young and rebellious,» says Geoffrey Rayner, co-author with Richard Chamberlain of the book Conran/Quant: Swinging London: A Lifestyle Revolution (ACC Art Books), which accompanies the exhibition. (Later, licensing agreements would put Cardin’s name on goods ranging from perfume to sunglasses.) Cardin’s furniture pieces - inspired, perhaps, by the rediscovery of Art Deco design in that decade - feature simple, symmetrical forms, lacquer and figured veneer finishes, and accents in metals such as aluminum and brass.
In the 1970s Cardin expanded his design work into furniture, jewelry and automobiles. In the following decade, Cardin introduced bright tunic dresses and shifts, marketed as the Space Age look and accessorized with vinyl hats and visors. Unlike Dior’s famous New Look, Cardin’s clothes de-emphasized a woman’s curves his breakthrough pieces like the Bubble dress had, instead, a sculptural quality. Cardin went solo in 1950, and quickly won attention for his novel style. After the end of World War II, Cardin moved to Paris and worked for a succession of couture houses, before taking a job with Christian Dior in 1946. Always interested in fashion, he left home at age 17 to train with a Vichy tailor. They are simple, geometric, elegant and cool.Ĭardin was born in a village near Venice, Italy, and raised in central France. Cardin’s chairs, cabinets, tables and other pieces share many of the keynotes of his clothing designs. Best known for creating groundbreaking fashion designs from the 1950s onward, Pierre Cardin enjoyed great success in other design fields, most notably furniture.
0 kommentar(er)
